George Sand

第7章

FrancoisonlycaresforMadeleine,though。Onthestage,welikeamantobeadoredbyallwomen,asthisseemstousaguaranteethathewillonlycareforoneofthem。

"Champi"isawordpeculiartoacertaindistrict,meaning"naturalson。"Dumas_fils_wroteaplayentitled_LeFilsnaturel_。

Theheroisalsoasuperiorman,whoplaysthepartofProvidencetothefamilywhichhasrefusedtorecognizehim。

In_Claudie_,asin_FrancoisleChampi_,theruralsettingisoneofthegreatcharmsoftheplay。Thefirstactisoneofthemostpicturesquescenesonthestage。Ittakesplaceinafarmyard,thedaywhenthereapershavefinishedtheirtask,whichisjustasawe—inspiringasthatofthesowers。Acart,drawnbyoxen,enterstheyard,bringingasheafalladornedwithribbonsandflowers。Theoldestofthelabourers,PereRemy,addressesafinecouplettothesheafofcornwhichhascostsomuchlabour,butwhichisdestinedtokeeplifeinthemall。

Claudieisoneofthoseyoungpeasantgirls,whomwemetwithinthenovelentitled_Jeanne_。Shehadbeenunfortunate,butJeanne,althoughvirtuousandpureherself,didnotdespiseher,forinthecountrythereisgreatlatitudeincertainmatters。

Thisisjusttheplainstory,butonthestageeverythingbecomesmoredramaticandistreatedinamoredetailedandsolemnfashion。

Claudie’smisfortunecauseshertobecomeasortofpersonageapart,anditraisesherveryhighinherownesteem。

"Iamnotafraidofanythingthatcanbesaidaboutme,"

observesClaudie,"for,onknowingthetruth,kind—hearted,uprightpeoplewillacknowledgethatIdonotdeservetobeinsulted。"

Heroldgrandfather,Remy,hascompletelyabsolvedher。

"Youhaverepentedandsufferedenough,andyouhaveworkedandweptandexpiatedenough,too,mypoorClaudie,"hesays。

Throughallthisshehasbecomeworthytomakeanexcellentmarriage。

Itisacaseofthatspecialmoralcodebywhich,afterfreelove,thefaultmustberecompensed。

ClaudieislaterontheJeannineofthe_IdeesdeMadameAubray_,theDeniseofAlexandreDumas。Sheistheunmarriedmother,whosemisfortuneshavenotcrushedherpride,who,afterbeingoutraged,hasarightnowtoadoubleshareofrespect。Thefirstgoodyoungmaniscalledupontoacceptherpastlife,forthereisalawofsolidarityintheworld。Thehumanspeciesisdividedintotwocategories,theoneisalwaysbusydoingharm,andtheotherisnaturallyobligedtogiveitselfuptomakinggoodtheharmdone。

_TheMariagedeVictorine_belongstoawell—knownkindofliteraryexercise,whichwasformerlyverymuchinhonourinthecolleges。

Thisconsistsintakingacelebratedworkattheplacewheretheauthorhasleftitandinimaginingthe"sequel。"Forinstance,afterthe_Cid_,therewouldbethemarriageofRodrigueandChimeneforus。Asacontinuationof_L’EcoledesFemmes_,thereistheresultofthemarriageoftheyoungHoracewiththetiresomelittleAgnes。Corneillegaveasequeltothe_Menteur_himself。

Fabred’Eglantinewrotethesequelto_LeMisanthrope_,andcalledit_LePhilintedeMoliere_。GeorgeSandgivesusherethesequelofSedaine’s_chef—d’oeuvre_(thatis,a_chef—d’oeuvre_

forSedaine),_LePhilosophesanslesavor。_

In_LePhilosophesanslesavoir_MonsieurVanderkeisanobleman,whohasbecomeamerchantinordertobeinaccordancewiththeideasofthetimes。HeisaFrenchman,buthehastakenaDutchnameoutofsnobbishness。HehasaclerkoraconfidentialservantnamedAntoine。

VictorineisAntoine’sdaughter。Vanderke’ssonistofightaduel,andfromVictorine’semotion,whilstawaitingtheresultofthisduel,itiseasytoseethatsheisinlovewiththisyoungman。

GeorgeSand’splayturnsonthequestionofwhatistobedonewhenthedaycomesforVictorinetomarry。Anexcellenthusbandisfoundforher,acertainFulgence,oneofMonsieurVanderke’sclerks。

Hebelongstoherownclass,andthisisconsideredoneoftheindispensableconditionsforhappinessinmarriage。Helovesher,sothateverythingseemstofavourVictorine。Wearedelighted,andshe,too,seemstobeingoodspirits,but,allthetimethatsheisreceivingcongratulationsandpresents,webegintoseethatshehassomegreattrouble。

"Silkandpearls!"sheexclaims;"oh,howheavytheyare,butIamsurethattheyareveryfine。Lace,too,andsilver;oh,suchaquantityofsilver。HowrichandfineandhappyIshallbe。

AndthenFulgenceissofondofme。"(Shegetssadderandsadder。)

"Andfatherissopleased。Howstrange。Ifeelstifled。"

(ShesitsdowninAntoinc’schair。)"Isthisjoy?……Ifeel……

Ah,ithurtstobeashappyasthis……"Sheburstsintotears。

Thissuppressedemotiontowhichshefinallygivesvent,andthisforcedsmilewhichendsinsobsareveryeffectiveonthestage。

Thequestionis,howcanVictorine’stearsbedried?ShewantstomarryyoungVanderke,thesonofherfather’semployer,insteadoftheclerk。Theonlythingis,then,toarrangethismarriage。

"Isitacrime,then,formybrothertoloveVictorine?"asksSophie,"andisitmadofmetothinkthatyouwillgiveyourconsent?"

"MydearSophie,"repliesMonsieurVanderke,"therearenounequalmarriagesinthesightofGod。AservitorlikeAntoineisafriend,andIhavealwaysbroughtyouuptoconsiderVictorineasyourcompanionandequal。"

Thisisthewaythefatherofthefamilyspeaks。Personally,Iconsiderhimratherimprudent。

Asthisplayisalreadyasequeltoanotherone,Idonotwishtoproposeasequelto_LeMariagedeVictorine_,butIcannothelpwonderingwhatwillhappenwhenVanderke’ssonfindshimselftheson—in—lawofanoldservant—man,andalsowhatwilloccurifheshouldtakehiswifetocallonsomeofhissister’sfriends。

Itseemstomethathewouldthenfindouthehad,madeamistake。

Amongthevariouspersonages,onlyoneappearstomequiteworthyofinterest,andthatispoorFulgence,whowassostraightforwardandhonest,andwhoistreatedsobadly。

ButhowdeepVictorinewas!Evenifweadmitthatshedidnotdeliberatelyschemeandplottogetherselfmarriedbythesonofthefamily,shedidinstinctivelyallthathadtobedoneforthat。Shewasverydeepinaninnocentway,andIhavecometotheconclusionthatsuchdeepnessisthemosttobefeared。

Iseequitewellallthatislackinginthesepieces,andthattheyarenotverygreat,butallthesametheyforma"theatre"apart。

ThereisunityinthistheatricalworkofGeorgeSand。Whetheritmakesaheroofthenaturalson,rehabilitatestheseducedgirl,orcriesdowntheideaof_mesalliances_,itisalwaysthesamefightinwhichitisengaged;itisalwaysfightingagainstthesameenemies,prejudiceandnarrow—mindedness。Onthestage,wecalleveryopinioncontrarytoourownprejudiceornarrow—mindedness。Thetheatrelivesbyfighting。Itmatterslittlewhattheauthorisattacking。

Hemaywagewarwithprinciples,prejudices,giants,orwindmills。

Providedthattherebeabattle,therewillbeatheatreforit。

ThefactthatGeorgeSand’stheatrewastheforerunnerofthetheatreofDumas_fils_givesitadditionalvalue。WehavealreadynoticedtheanalogyofsituationsandthekinshipoftheoriescontainedinGeorgeSand’sbestplaysandinthemostnotedonesbyDumas。

IhavenodoubtthatDumasowedagreatdealtoGeorgeSand。

Weshallseethathepaidhisdebtasonlyhecouldhavedone。

Heknewthenovelistwhenhewasquiteyoung,asDumas_pere_andGeorgeSandwereonveryfriendlyterms。InherlettertellingSainte—BeuvenottotakeMussettocallonher,asshethoughthimimpertinent,shetellshimtobringDumas_pere_,whomsheevidentlyconsideredwellbred。Asshewasafriendofhisfather’s,shewaslikeamotherfortheson。Thefirstlettertohiminthe_Correspondance_

isdated1850。Dumas_fils_wasthentwenty—sixyearsofage,andshecallshim"myson。"

Hehadnotwritten_LaDameauxCamelias_then。ItwasperformedforthefirsttimeinFebruary,1852。Hewasmerelytheauthorofafewsecond—ratenovelsandofavolumeofexecrablepoetry。

Hehadnotfoundouthiscapabilitiesatthattime。ThereisnodoubtthathewasgreatlystruckbyGeorgeSand’splays,imbuedastheywerewiththeideaswehavejustpointedout。

Allthisisworthyofnote,asitisessentialforunderstandingtheworkofAlexandreDumas_fils_。He,too,wasanaturalson,andhisillegitimatebirthhadcausedhimmuchsuffering。HewassenttothePensionGoubaux,andforseveralyearsheenduredthetorturehedescribeswithsuchharshnessatthebeginningof_L’AffaireClemenceau_。

Hewasexposedtoallkindsofinsultsandblows。Hisfirstcontactwithsocietytaughthimthatthissocietywasunjust,andthatitmadetheinnocentsuffer。Thefirstexperiencehehadwasthatofthecrueltyandcowardiceofmen。Hismindwasdeeplyimpressedbythis,andheneverlosttheimpression。Hedidnotforgive,butmadeithismissiontodenouncethepharisaicalattitudeofsociety。Hisideawastotreatmenaccordingtotheirmerits,andtopaythembackfortheblowshehadreceivedasachild。[49]

Itiseasy,therefore,tounderstandhowtheprivategrievancesofDumas_fils_hadpreparedhismindtowelcomeatheatrewhichtookthepartoftheoppressedandwagedwarwithsocialprejudices。

Iamfullyawareofthedifferenceintemperamentofthetwowriters。

Dumas_fils_,withhiskeenobservation,wasapessimist。

Hedespisedwoman,andheadvisesustokillher,underthepretextthatshehasalwaysremained"thestrumpetofthelandofNo。"althoughshemaybedressedinaWorthcostumeandwearaRebouxhat。

[49]SeeourstudyofDumas_fils_inavolumeentitled_Portraitsd’ecrivains。_

Asadramaticauthor,AlexandreDumas_fils_hadjustwhatGeorgeSandlacked。Hewasvigorous,hehadtheartofbrevityandbrilliantdialogue。ItisthankstoallthisthatwehaveoneofthemasterpiecesoftheFrenchtheatre,_LeMarquisdeVillemer_,asaresultoftheircollaboration。

WeknowfromGeorgeSand’slettersthesharethatDumas_fils_

hadinthiswork。Hehelpedhertotaketheplayfromhernovel,andtowritethescenario。Afterthis,whenoncetheplaywaswritten,hetouchedupthedialogue,puttinginmoreemphasisandbrilliancy。

ItwasDumas,therefore,whoconstructedtheplay。WeallknowhowcarelessGeorgeSandwaswithhercomposition。Shewrotewithscarcelyanyplaninhermindbeforehand,andletherselfbecarriedawaybyevents。Dumas’ideawasthatthe_denouement_

isamathematicaltotal,andthatbeforewritingthefirstwordofapiecetheauthormustknowtheendandhavedecidedtheaction。

TheatricalmanagerscomplainedofthesadnessofGeorgeSand’splays。

ItistoDumasthatweowethegaietyoftheDucd’Aleria’s_role_。

Itisonecontinualflowofamusingspeeches,anditsavesthepiecefromthedangeroffallingintotearfuldrama。GeorgeSandhadnowit,andDumas_fils_wasfullofit。Itwashewhoputintothedialoguethoselittlesayingswhicharesoeasilyrecognizedashis。

"Whatdothedoctorssay?"isasked,andthereplycomes:

"Whatdothedoctorssay?Well,theysayjustwhattheyknow:

theysaynothing。"

"MybrotherdeclaresthattheairofParisistheonlyairhecanbreathe,"saysanothercharacter。

"Congratulatehimformeonhislungs,"remarkshisinterlocutor。

"Herhusbandwasabaron……"remarkssomeone。

"Whoisnotabaronatpresent?"answersanotherperson。

Acertainelderlygovernessisbeingdiscussed。

"Didyounotknowher?"

"MademoiselleArtemise?No,monsieur。"

"Haveyoueverseenanalbatross?"

"No,never。"

"Notevenstuffed?Oh,youshouldgototheZoo。Itisacuriouscreature,withitsgreatbeakendinginahook……Iteatsalldaylong……Well,MademoiselleArtemise,etc……"

The_MarquisdeVillemer_isinitsplaceintheseriesofGeorgeSand’splays,andisquiteinaccordancewiththegeneraltoneofhertheatre。Itislikethe_MariagedeVictorine_overagain。

ThistimeVictorineisareader,whogetsherselfmarriedbyaMarquisnamedUrbain。Heisofagloomydisposition,sothatshewillnotenjoyhissocietymuch,butshewillbeaMarquise。

VictorineandCarolinearebothpersonswhoknowhowtomaketheirwayintheworld。Whentheyhaveason,Ishouldbeverymuchsurprisediftheyallowedhimtomakea_mesalliance_。

GeorgeSandwasoneofthepersonsforwhomDumas_fils_

hadthegreatestadmiration。Asaproofofthis,avoluminouscorrespondencebetweenthemexists。Ithasnotyetbeenpublished,butthereisapossibilitythatitmaybesomeday。Iremember,whentalkingwithDumas_fils_,thetermsinwhichhealwaysspokeof"lamereSand,"ashecalledherinafamiliarbutfilialway。

Hecomparedhertohisfather,andthatwasgreatpraiseindeedfromhim。

Headmiredinher,too,asheadmiredinhisfather,thatwealthofcreativepowerandimmensecapacityforuninterruptedwork。

Asaproofofthisadmiration,wehaveonlytoturntotheprefaceto_LeFilsnaturel_,inwhichDumasissofuriouswiththeinhabitantsofPalaiseau。GeorgeSandhadtakenupherabodeatPalaiseau,andDumashadbeentryinginvaintodiscoverheraddressinthedistrict,whenhecameacrossoneofthenatives,whorepliedasfollows:"GeorgeSand?Waitaminute。Isn’titaladywithpapers?""Somuchfortheglory,"concludesDumas,"ofthoseofuswithpapers。"Accordingtohim,nowomanhadeverhadmoretalentorasmuchgenius。"ShethinkslikeMontaigne,"

hesays,"shedreamslikeOssianandshewriteslikeJean—Jacques。

Leonardosketchesherphrasesforher,andMozartsingsthem。

MadamedeSevignekissesherhands,andMadamedeStaelkneelsdowntoherasshepasses。"WecanscarcelyimagineMadamedeStaelinthishumbleposture,butoneofthecharmsofDumaswashisgenerousnature,whichsparednopraiseandwaslavishinenthusiasm。

Attheepochatwhichwehavenowarrived,GeorgeSandhadcommencedthatperiodoftranquillityandcalminwhichshewastospendtherestofherlife。Shehadgivenuppolitics,for,aswehaveseen,shewasquicklyundeceivedwithregardtothem,andcuredofherillusions。

Whenthe_coupd’etat_ofDecember,1851,tookplace,GeorgeSand,whohadbeenLedru—Rollin’scollaboratorandafriendofBarbes,soonmadeuphermindwhattodo。AsthedaughterofMurat’s_aide—de—camp_,shenaturallyhadacertainsympathywiththeBonapartists。

NapoleonIIIwasasocialist,sothatitwaspossibletocometoanunderstanding。WhentheprincehadbeenaprisoneratHam,hehadsentthenovelisthisstudyentitled_L’Extinctiondupauperisme_。

GeorgeSandtookadvantageofherformerintercoursewithhimtobegforhisindulgrenceinfavourofsomeofherfriends。

Thistimeshewasinherproper_role_,the_role_ofawoman。

The"tyrant"grantedthefavourssheasked,andGeorgeSandthencametotheconclusionthathewasagoodsortoftyrant。Shewasaccusedoftreason,butsheneverthelesscontinuedtospeakofhimwithgratitude。SheremainedongoodtermswiththeImperialfamily,particularlywithPrinceJerome,assheappreciatedhisintellect。

Sheusedtotalkwithhimonliteraryandphilosophicalquestions。

Shesenthimtwotapestryottomansoneyear,whichshehadworkedforhim。HersonMauricewentforacruisetoAmericaonPrinceJerome’syacht,andhewasthegodfatherofGeorgeSand’slittlegrandchildrenwhowerebaptizedasProtestants。

GeorgeSanddeservesspecialmentionforherscienceintheartofgrowingold。Itisnotascienceeasytomaster,andpersonallythisisoneofmyreasonsforadmiringher。Sheunderstoodwhatacharmthereisinthattimeoflifewhenthevoiceofthepassionsisnolongerheard,sothatwecanlistentothevoiceofthingsandexaminethelessonoflife,thattimewhenourreasonmakesusmoreindulgent,whenthesadnessofearthlyseparationsissoftenedbythethoughtthatweshallsoongoourselvestojointhosewhohaveleftus。WethenbegintohaveaforetasteofthecalmnessofthatGreatSleepwhichistoconsoleusattheendofalloursufferingsandgrief。GeorgeSandwasfullyawareofthechangethathadtakenplacewithinher。Shesaid,severaltimesover,thattheageofimpersonalityhadarrivedforher。Shewasdelightedathavingescapedfromherselfandatbeingfreefromegoism。

Fromhenceforthshecouldgiveherselfuptothesentimentswhich,inpedanticandbarbarousjargon,arecalledaltruisticsentiments。

Bythiswemeanmotherlyandgrandmotherlyaffection,devotiontoherfamily,andenthusiasmforallthatisbeautifulandnoble。

Shewasdelightedwhenshewastoldofagenerousdeed,andcharmedbyabookinwhichshediscoveredtalent。Itseemedtoherasthoughshewereinsomewayjointauthorofit。

"MyheartgoesouttoallthatIseedawningorgrowing……"

shewrote,atthistime。"Whenweseeorreadanythingbeautiful,doesitnotseemasthoughitbelongstousinaway,thatitisneitheryoursnormine,butthatitbelongstoallwhodrinkfromitandarestrengthenedbyit?"[50]

[50]_Correspondance:_ToOctaveFeuillet,February27,1859。

Thisisanoblesentiment,andlessrarethanisgenerallybelieved。

Thepubliclittlethinksthatitisoneofthegreatjoysofthewriter,whenhehasreachedacertainage,toadmiretheworksofhisfellow—writers。GeorgeSandencouragedheryoung_confreres_,Dumas_fils_,FeuilletandFlaubert,atthebeginningoftheircareer,andhelpedthemwithheradvice。

Wehaveplentyofinformationaboutheratthisepoch。Herintimatefriends,inquisitivepeopleandpersonspassingthroughParis,havedescribedtheirvisitstoheroverandoveragain。WehavetheimpressionsnoteddownbytheGoncourtbrothersintheir_Jounal_。

Weallknowhowmuchtotrusttothisdiary。WhenevertheGoncourtsgiveusanidea,anopinion,oradoctrine,itisaswelltobewaryinacceptingit。Theywerenotveryintelligent。Idonotwish,insayingthis,todetractfromthem,butmerelytodefinethem。

Ontheotherhand,whattheysaw,theysawthoroughly,andtheynotedthegenerallook,theattitudeorgesturewithgreatcare。

WegivetheirimpressionsofGeorgeSand。InMarch,1862,theywenttocallonher。ShewasthenlivinginParis,intheRueRacine。

Theygiveanaccountofthisvisitintheirdiary。

"_March_30,1862。

"Onthefourthfloor,No。2,RueRacine。Alittlegentleman,verymuchlikeeveryoneelse,openedthedoortous。Hesmiled,andsaid:`MessieursdeGoncourt!’andthen,openinganotherdoor,showedusintoaverylargeroom,akindofstudio。

"Therewasawindowatthefarend,andthelightwasgettingdim,foritwasaboutfiveo’clock。Wecouldseeagreyshadowagainstthepalelight。Itwasawoman,whodidnotattempttorise,butwhoremainedimpassivetoourbowandourwords。Thisseatedshadow,lookingsodrowsy,wasMadameSand,andthemanwhoopened。

thedoorwastheengraverManceau。MadameSandislikeanautomaticmachine。Shetalksinamonotonous,mechanicalvoicewhichsheneitherraisesnorlowers,andwhichisneveranimated。

Inherwholeattitudethereisasortofgravityandplacidness,somethingofthehalf—asleepairofapersonruminating。

Shehasveryslowgestures,thegesturesofasomnambulist。Withamechanicalmovementshestrikesawaxmatch,whichgivesaflicker,andlightsthecigarsheisholdingbetweenherlips。

"MadameSandwasextremelypleasant;shepraisedusagreatdeal,butwithachildishnessofideas,aplatitudeofexpressionandamournfulgood—naturednessthatwasaschillingasthebarewallofaroom。Manceauendeavouredtoenliventhedialogue。

WetalkedofhertheatreatNohant,wheretheyactforherandforhermaiduntilfourinthemorning……Wethentalkedofherprodigiousfacultyforwork。Shetoldusthattherewasnothingmeritoriousinthat,asshehadalwaysworkedsoeasily。

Shewriteseverynightfromoneo’clockuntilfourinthemorning,andshewritesagainforabouttwohoursduringtheday。

Manceauexplainseverything,ratherlikeanexhibitorofphenomena。

`Itisallthesametoher,’hetoldus,`ifsheisdisturbed。

Supposeyouturnonatapatyourhouse,andsomeonecomesintheroom。Yousimplyturnthetapoff。ItislikethatwithMadameSand。’"

TheGoncourtbrotherswereextremelycleverindetractingfromthemeritsofthepeopleaboutwhomtheyspoke。TheytellusthatGeorgeSandhad"achildishnessinherideasandaplatitudeofexpression。"

Theywereunkindwithoutendeavouringtobeso。Theyrandownpeopleinstinctively。Theywereeminentlyliterarymen。Theywerealsoartisticwriters,andhadeveninvented"artisticwriting,"

buttheyhadverylittleincommonwithGeorgeSand’sattitudeofmind。Toherthetheoryofartforthesakeofarthadalwaysseemedaveryhollowtheory。Shewroteaswellasshecould,butsheneverdreamedoftheprofessionofwritinghavinganythingincommonwithanacrobaticdisplay。

InSeptember,1863,theGoncourtbrothersagainspeakofGeorgeSand,tellingusaboutherlifeatNohant,orratherputtingtheaccounttheygiveintothemouthofTheophileGautier。HehadjustreturnedfromNohant,andhewasaskedifitwasamusingatGeorgeSand’s。

"JustasamusingasamonasteryoftheMoravianbrotherhood,"

hereplies。"Iarrivedthereintheevening,andthehouseisalongwayfromthestation。Mytrunkwasputintoathicket,andonarrivingIenteredbythefarminthemidstofallthedogs,whichgavemeafright……"

Asamatteroffact,Gautier’sarrivalatNohanthadbeenquiteadramaticpoem,halftragicandhalfcomic。AbsolutefreedomwastheruleofNohant。Everyonethereread,wrote,orwenttosleepaccordingtohisownwillandpleasure。GautierarrivedinthatframeofmindpeculiartotheParisianofformerdays。

HeconsideredthathehadgivenaproofofheroisminventuringoutsidethewallsofParis。Hethereforeexpectedaheartywelcome。

Hewasverymuchannoyedathisreception,andwasabouttostartbackagainimmediately,whenGeorgeSandwasinformedofhisarrival。

Shewasextremelyvexedatwhathadhappened,andexclaimed,"ButhadnotanyonetoldhimhowstupidIam!"

TheGoncourtbrothersaskedGautierwhatlifeatNohantwaslike。

"Luncheonisatten,"hereplied,"andwhenthefingerwasonthehour,wealltookourseats。MadameSandarrived,lookinglikeasomnambulist,andremainedhalfasleepallthroughthemeal。

Afterluncheonwewentintothegardenandplayedat_cochonnet_。

Thisrousedher,andshewouldthensitdownandbegintotalk。"

Itwouldhavebeenmoreexacttosaythatshelistened,asshewasnotagreattalkerherself。Shehadahorrorofacertainkindofconversation,ofthatfutile,paradoxicalandspasmodickindwhichisthespecialityof"brillianttalkers。"Sparklingconversationofthissortdisconcertedherandmadeherfeelillatease。

Shedidnotlikethetopictobetheliteraryprofessioneither。

ThisexasperatedGautier,whowouldnotadmitoftherebeinganythingelseintheworldbutliterature。

"Atthreeo’clock,"hecontinued,"MadameSandwentawaytowriteuntilsix。Wethendined,butwehadtodinequickly,sothatMarieCaillotwouldhavetimetodine。MarieCaillotistheservant,asortoflittleFadettewhomMadameSandhaddiscoveredintheneighbourhoodforplayingherpieces。

ThisMarieCaillotusedtocomeintothedrawing—roomintheevening。

AfterdinnerMadameSandwouldplaypatience,withoututteringaword,untilmidnight……Atmidnightshebegantowriteagainuntilfouro’clock……Youknowwhathappenedonce。Somethingmonstrous。

Shefinishedanovelatoneo’clockinthemorning,andbegananotherduringthenight……TomakecopyisafunctionwithMadameSand。"

ThemarionettetheatrewasoneoftheNohantamusements。Oneofthejoysofthefamily,andalsooneofthedelightsof_dilettanti_,[51]

wasthepaintingofthescenery,themanufacturingofcostumes,theworkingoutofscenarios,dressingdollsandmakingthemtalk。

[51]"TheindividualnamedGeorgeSandisverywell。HeisenjoyingthewonderfulwinterwhichreignsinBerry;hegathersflowers,pointsoutanyinterestingbotanicalanomalies,sewsdressesandmantlesforhisdaughter—in—law,andcostumesforthemarionettes,cutsoutstagescenery,dressesdollsandreadsmusic……"——_Correspondance:_ToFlaubert,January17,1869。

Inoneofhernovels,publishedin1857,GeorgeSandintroducestousacertainChristianWaldo,whohasamarionetteshow。

Heexplainstheattractionofthiskindoftheatreandthefascinationofthese_burattini_,whichwerelivingbeingstohim。

Thoseamonguswho,somefifteenyearsago,wereinfatuatedbyasimilarshow,arenotsurprisedatWaldo’swords。ThemarionettestowhichwereferweretobeseeninthePassageVivienne。

Sacredplaysinverseweregiven,andthemanagerswereMonsieurRichepinandMonsieurBouchor。Forsuchplayswepreferredactorsmadeofwoodtoactorsoffleshandblood,asthereisalwaysacertaindesecrationotherwiseinactingsuchpieces。

GeorgeSandrarelyleftNohantnowexceptforherlittleflatinParis。Inthespringof1855,shewenttoRomeforashorttime,butdidnotenjoythisvisitmuch。Shesumsupherimpressionsinthefollowingwords:"Romeisaregularsee—saw。"Theruinsdidnotinteresthermuch。

"Afterspendingseveraldaysinvisitingurns,tombs,cryptsandcolumns,onefeelstheneedofgettingoutofallthisalittleandofseeingNature。"

Nature,however,didnotcompensatehersufficientlyforherdisappointmentintheruins。

"TheRomanCampagna,whichhasbeensomuchvaunted,iscertainlysingularlyimmense,butitissobare,flatanddeserted,somonotonousandsad,milesandmilesofmeadow—landineverydirection,thatthelittlebrainonehasleft,afterseeingthecity,isalmostoverpoweredbyitall。"

Thisjourneyinspiredherwithoneoftheweakestofhernovels,_LaDaniella_。ItisthediaryofapainternamedJeanValreg,whomarriedalaundry—girl。In1861,afteranillness,shewenttoTamaris,inthesouthofFrance。Thisnameisthetitleofoneofhernovels。Shedoesnotcareforthisplaceeither。

Sheconsidersthatthereistoomuchwind,toomuchdust,andthattherearetoomanyolive—treesinthesouthofFrance。

Iamconvincedthatatanearliertimeinherlifeshewould,havebeenwonoverbythefascinationofRome。ShehadcomprehendedthecharmofVenicesoadmirably。Atanearlierdate,too,shewouldnothavebeenindifferenttothebeautiesofProvence,asshehaddelightedinmeridionalNaturewheninMajorca。

Theyearswereover,though,forhertoenjoythevarietyofoutsideshowswithalltheirphantasmagoria。Atimecomesinlife,andithadalreadycomeforher,whenwediscoverthatNature,whichhasseemedsovaried,isthesameeverywhere,thatwehavequitenearusallthatwehavebeensofarawaytoseek,alittleofthisearth,alittlewaterandalittlesky。Wefind,too,thatwehaveneitherthetimenortheinclinationtogoawayinsearchofallthiswhenourhoursarecountedandwefeeltheendnear。

Theessentialthingthenistoreserveforourselvesalittlespaceforourmeditations,betweentheagitationsoflifeandthatmomentwhichalonedecideseverythingforus。

X

THEGENIUSOFTHEWRITER

CORRESPONDENCEWITHFLAUBERT——LASTNOVELS

Withthatmaternalinstinctwhichwassostrongwithinher,GeorgeSandcouldnotdowithouthavingachildtoscold,directandtaketotask。

Theonetowhomshewastodevotethelasttenyearsofherlife,whoneededherbeneficentaffectionmorethananyofthoseshehadadopted,wasakindofgiantwithhairturnedbackfromhisforeheadandathickmoustachelikeaNormanoftheheroicages。HewasjustsuchamanaswecanimaginethepiratesinDucRollo’sboats。

ThisdescendantoftheVikingshadbeenbornintimesofpeace,andhissoleoccupationwastoendeavourtoformharmoniousphrasesbyavoidingassonances。

IdonotthinktherehavebeentwoindividualsmoredifferentfromeachotherthanGeorgeSandandGustaveFlaubert。Hewasanartist,andsheinmanyrespectswas_bourgeoise_。Hesawallthingsattheirworst;shesawthembetterthantheywere。Flaubertwrotetoherinsurpriseasfollows:"Inspiteofyourlargesphinxeyes,youhaveseentheworldthroughgoldcolour。"

Shelovedthelowerclasses;hethoughtthemdetestable,andqualifieduniversalsuffrageas"adisgracetothehumanmind。"

Shepreachedconcord,theunionofclasses,whilsthegavehisopinionasfollows:

"Ibelievethatthepoorhatetherich,andthattherichareafraidofthepoor。Itwillbelikethiseternally。"

Itwasalwaysthus。Oneverysubjecttheopinionoftheonewassuretobethedirectoppositeoftheopinionoftheother。

Thiswasjustwhathadattractedthem。

"Ishouldnotbeinterestedinmyself,"GeorgeSandsaid,"ifI

hadthehonourofmeetingmyself。"ShewasinterestedinFlaubert,asshehaddivinedthathewasherantithesis。

"ThemanwhoisJustpassing,"saysFantasio,"ischarming。Thereareallsortsofideasinhismindwhichwouldbequitenewtome。"

GeorgeSandwantedtoknowsomethingoftheseideaswhichwerenewtoher。SheadmiredFlaubertonaccountofallsortsofqualitieswhichshedidnotpossessherself。Shelikedhim,too,asshefeltthathewasunhappy。

Shewenttoseehimduringthesummerof1866。TheyvisitedthehistoricstreetsandoldpartsofRouentogether。Shewasbothcharmedandsurprised。Shecouldnotbelievehereyes,asshehadneverimaginedthatallthatexisted,andsonearParis,too。

ShestayedinthathouseatCroissetinwhichFlaubert’swholelifewasspent。ItwasahousewithwidewindowsandaviewovertheSeine。Thehoarse,monotonoussoundofthechaintowingtheheavyboatsalongcouldbehearddistinctlywithintherooms。

Flaubertlivedtherewithhismotherandniece。ToGeorgeSandeverythingthereseemedtobreatheoftranquillityandcomfort,butatthesametimeshebroughtawaywithheranimpressionofsadness。SheattributedthistothevicinityoftheSeine,comingandgoingasitdoesaccordingtothebar。

"Thewillowsoftheisletsarealwaysbeingcoveredanduncovered,"

shewrites;"italllooksverycoldandsad。[52]

[52]_Correspondance:_ToMauriceSand,August10,1866。

Shewasnotreallyduped,though,byherownexplanation。Sheknewperfectlywellthatwhatmakesahousesadorgay,warmoricy—coldisnottheoutlookontothesurroundingcountry,butthesoulofthosewhoinhabititandwhohavefashioneditintheirownimage。

Shehadjustbeenstayinginthehouseofthemisanthropist。

WhenMoliereputthemisanthropistonthestagewithhiswretched—lookingface,hegavehimsomeofthefeatureswhichremindussostronglyofFlaubert。ThemostordinaryandeverydayeventswerealwaysenoughtoputAlcesteintoarage。

ItwasjustthesamewithFlaubert。Everydaythingswhichwearephilosophicalenoughtoaccepttookhisbreathaway。Hewasangry,andhewantedtobeangry。Hewasirritatedwitheveryoneandwitheverything,andhecultivatedthisirritation。Hekepthimselfinacontinualstateofexasperation,andthiswashisnormalstate。

Inhislettershedescribedhimselfas"worriedwithlife,"

"disgustedwitheverything,""alwaysagitatedandalwaysindignant。"

Hespells_hhhindignant_withseveralh’s。Hesignshisletters,"TheReverendFatherCruchardoftheBarnabiteOrder,directoroftheLadiesofDisenchantment。"Addedtoallthis,althoughtheremayhavebeenacertainamountofposeinhisattitude,hewassincere。

He"roared"inhisownstudy,whenhewasquitealoneandtherewasnoonetobeaffectedbyhisroaring。Hewasorganizedinaremarkablewayforsuffering。Hewasbothromanticandrealistic,akeenobserverandanimaginativeman。Heborrowedsomeofthemostpitifultraitsfromreality,andrecomposedthemintoaregularnightmare。

WeagreewithFlaubertthatinjusticeandnonsensedoexistinlife。

ButhegivesusNonsenseitself,theseven—headedandten—hornedbeastoftheApocalypse。Heseesthisbeasteverywhere,ithauntshimandblocksupeveryavenueforhim,sothathecannotseethesublimebeautiesofthecreationnorthesplendourofhumanintelligence。

Inreplytoallhiswildharangues,GeorgeSandgiveswiseanswers,smilingasshegivesthem,andusinghercommonsensewithwhichtoprotectherselfagainstthetrickeryofwords。Whathashetocomplainof,thisgrown—upchildwhoistoonaiveandwhoexpectstoomuch?Bywhatextraordinarymisfortunehashesuchanexceptionallyunhappylot?Heisfairlywelloffandhehasgreattalent。Howmanypeoplewouldenvyhim!Hecomplainsoflife,suchasitisforeveryone,andofthepresentconditionsoflife,whichhadneverbeenbetterforanyoneatanyepoch。Whatistheuseofgettingirritatedwithlife,sincewedonotwishtodie?

Humanityseemeddespicabletohim,andhehatedit。Washenotapartofthishumanityhimself?Insteadofcursingourfellow—menforawholecrowdofimperfectionsinherenttotheirnature,woulditnotbemorejusttopitythemforsuchimperfections?

Astostupidityandnonsense,ifheobjectedtothem,itwouldbebettertopaynoattentiontothem,insteadofwatchingoutforthemallthetime。Besideallthis,istherenotmorereasonthanweimagineforeveryoneofustobeindulgenttowardsthestupidityofotherpeople?

"Thatpoorstupidityofwhichwehearsomuch,"exclaimedGeorgeSand。

"Idonotdislikeit,asIlookonitwithmaternaleyes。"

Thehumanraceisabsurd,undoubtedly,butwemustownthatwecontributeourselvestothisabsurdity。

ThereissomethingmorbidinFlaubert’scase,andwithequalclearnessofvisionGeorgeSandpointsouttohimthecauseofitandtheremedy。

Themorbidnessiscausedinthefirstplacebyhisloneliness,andbythefactthathehasseveredallbondswhichunitedhimtotherestoftheuniverse。Woebetothosewhoarealone!Theremedyisthenextconsideration。Istherenot,somewhereintheworld,awomanwhomhecouldloveandwhowouldmakehimsuffer?Istherenotachildsomewherewhosefatherhecouldimaginehimselftobe,andtowhomhecoulddevotehimself?Suchisthelawoflife。

Existenceisintolerabletousaslongasweonlyaskforourownpersonalsatisfaction,butitbecomesdeartousfromthedaywhenwemakeapresentofittoanotherhumanbeing。

Therewasthesameantagonismintheirliteraryopinions。

Flaubertwasanartist,thetheoristofthedoctrineofartforart,suchasTheophileGautier,theGoncourtbrothersandtheParnassianscomprehendedit,ataboutthesameepoch。Itissingularlyinterestingtohearhimformulateeacharticleofthisdoctrine,andtohearGeorgeSand’sferventprotestationsinreply。

Flaubertconsidersthatanauthorshouldnotputhimselfintohiswork,thatheshouldnotwritehisbookswithhisheart,andGeorgeSandanswers:

"Idonotunderstandatall,then。Ohno,itisallincomprehensibletome。"

Withwhatwasanauthortowritehisbooks,ifnotwithhisownsentimentsandemotions?Washetowritethemwiththeheartsofotherpeople?Flaubertmaintainedthatanauthorshouldonlywriteforabouttwentypersons,unlesshesimplywroteforhimself,"likea_bourgeois_turninghisserviette—ringsroundinhisattic。"

GeorgeSandwasofopinionthatanauthorshouldwrite"forallthosewhocanprofitbygoodreading。"Flaubertconfessesthatifattentionbepaidtotheolddistinctionbetweenmatterandform,heshouldgivethegreaterimportancetoform,inwhichhehadareligiousbelief。

Heconsideredthatinthecorrectnessoftheputtingtogether,intherarityoftheelements,thepolishofthesurfaceandtheperfectharmonyofthewholetherewasanintrinsicvirtue,akindofdivineforce。Inconclusion,headds:

"Iendeavourtothinkwellalways,_inorderto_writewell,butIdonotconcealthefactthatmyobjectistowritewell。"

This,then,wasthesecretofthatworkingupofthestyle,untilitbecameamaniawithhimanddevelopedintoatorture。

WeallknowofthedaysofanguishwhichFlaubertspentinsearchingforawordthatescapedhim,andtheweeksthathedevotedtoroundingoffoneofhisperiods。Hewouldneverwritethesedownuntilhehadsaidthemtohimself,or,asheputithimself,until"theyhadgonethroughhisjaw。"Hewouldnotallowtwocomplementsinthesamephrase,andwearetoldthathewasillafterreadinginoneofhisownbooksthefollowingwords:"Unecouronne_de_

fleurs_d_’oranger。"

"Youdonotknowwhatitis,"hewrote,"tospendawholedayholdingone’sheadandsqueezingone’sbrainstofindaword。Ideasflowwithyoufreelyandcontinually,likeastream。Withmetheycomeliketricklingwater,anditisonlybyahugeworkofartthatI

cangetawaterfall。Ah,Ihavehadsomeexperienceoftheterribletortureofstyle!"No,GeorgeSandcertainlyhadnoexperienceofthiskind,andshecouldnotevenconceiveofsuchtorture。

Itamazedhertohearofsuchpainfullabour,for,personally,sheletthewindplayonher"oldharp"justasitlisted。

Briefly,sheconsideredthatherfriendwasthevictimofahopelesserror。Hetookliteraturefortheessentialthing,buttherewassomethingbeforeallliterature,andthatsomethingwaslife。

"TheHolyofHolies,asyoucallliterature,isonlysecondarytomeinlife。Ihavealwayslovedsomeonebetterthanit,andmyfamilybetterthanthatsomeone。"

This,then,wasthekeynoteoftheargument。GeorgeSandconsideredthatlifeisnotonlyapretextforliterature,butthatliteratureshouldalwaysrefertolifeandshouldberegulatedbylife,asbyamodelwhichtakestheprecedenceofitandgoesfarbeyondit。This,too,isouropinion。

ThestateofmindwhichcanbereadbetweenthelinesinGeorgeSand’sletterstoFlaubertisserenity,andthisisalsothecharacteristicofherworkduringthelastperiodofherlife。Her"laststyle"

isthatof_JeandelaRocke_,publishedin1860。Ayoungnobleman,JeandelaRoche,loseshishearttotheexquisiteLoveButler。

Shereturnshisaffection,butthejealousyofayoungbrotherobligesthemtoseparate。Inordertobenearthewomanheloves,JeandelaRochedisguiseshimselfasaguide,andaccompaniesthewholefamilyinanexcursionthroughtheAuvergnemountains。

Ayoungnoblemanasaguideisbynomeansanordinarything,butinloveaffairssuchdisguisesareadmitted。LoversinthewritingsofMarivauxtookthepartsofservants,andinformerdaysnoonewassurprisedtomeetwithprincesindisguiseonthehigh—roads。

GeorgeSand’smasterpieceofthiskindisundoubtedly_LeMarquisdeVillemer_,publishedin1861。Aprovincial_chateau_,anoldaristocraticwoman,scepticalandindulgent,twobrotherscapableofbeingrivalswithoutceasingtobefriends,ayounggirlofnoblebirth,butpoor,calumnybeingspreadabroad,butquicklyrepudiated,somewonderfulpagesofdescription,andsomeelegant,sinuousconversations。Allthishasacertaincharm。

ThepoorgirlmarriestheMarquisintheend。This,too,isareturntoformerdays,tothedayswhenkingsmarriedshepherdesses。

Thepleasurethatwehaveinreadingsuchnovelsisverymuchlikethatwhichweusedtofeelonhearingfairy—stories。

"Ifsomeoneweretotellmethestoryof_Peaud’Ane_,Ishouldbedelighted,"confessedLaFontaine,andsurelyitwouldbebadformtobemoredifficultandover—nicethanhewas。Bigchildrenasweare,weneedstorieswhichgivefoodtoourimagination,afterbeingdisappointedbytherealitiesoflife。Thisisperhapstheveryobjectofthenovel。Romanceisnotnecessarilyanexaggeratedaspirationtowardsimaginarythings。Itissomethingelsetoo。

ItistherevoltofthesoulwhichisoppressedbytheyokeofNature。Itistheexpressionofthattendencywithinustowardsafreedomwhichisimpossible,butofwhichweneverthelessdream。

Anironlawpresidesoverourdestiny。Aroundusandwithinus,theseriesofcausesandeffectscontinuestounwinditshardchain。

Everysingleoneofourdeedsbearsitsconsequence,andthisgoesontoeternity。Everyfaultofourswillbringitschastisement。

Everyweaknesswillhavetobemadegood。Thereisnotamomentofoblivion,notaninstantwhenwemayceasetobeonourguard。

Romanticillusionis,then,justanattempttoescape,atleastinimagination,fromthetyrannyofuniversalorder。

Itisimpossible,inthisvolume,toconsiderallGeorgeSand’sworks。

Someofherothersarecharming,butthewholeserieswouldperhapsappearsomewhatmonotonous。Thereis,however,onenovelofthisepochtowhichwemustcallattention,asitislikeaburstofthunderduringcalmweather。ItalsorevealsanaspectofGeorgeSand’sideaswhichshouldnotbepassedoverlightly。

ThisbookwasperhapstheonlyoneGeorgeSandwroteundertheinfluenceofanger。Wereferto_MademoiselleLaQuintinie_。

OctaveFeuillethadjustpublishedhis_HistoiredeSibylle_,andthisbookmadeGeorgeSandfuriouslyangry。Weareatalosstocomprehendherindignation。Feuillet’snovelisverygracefulandquiteinoffensive。Sibylleisafancifulyoungperson,whofromherearliestchildhooddreamsofimpossiblethings。

Shewantshergrandfathertogetastarforher,andanothertimeshewantstorideontheswan’sbackasitswimsinthepool。

Whensheisbeingpreparedforherfirstcommunion,shehasdoubtsaboutthetruthoftheChristianreligion,butonenight,duringastorm,thepriestoftheplacespringsintoaboatandgoestotherescueofsomesailorsinperil。Allthedifficultiesoftheologicalinterpretationsareatoncedispelledforher。

Ayoungmanfallsinlovewithher,butondiscoveringthatheisnotabelieversheendeavourstoconverthim,andgoesmoonlightwalkswithhim。Moonlightissometimesdangerousforyounggirls,and,afteroneofthesesentimentalandtheologicalstrolls,shehasamysteriousailment……

InordertounderstandGeorgeSand’sangeronreadingthisnovel,whichwasbothreligiousandsocial,andatthesametimeveryharmless,wemustknowwhatherstateofmindwasontheessentialquestionofreligion。

Inthefirstplace,GeorgeSandwasnothostiletoreligiousideas。

Shehadareligion。ThereisaGeorgeSandreligion。Therearenotmanydogmas,andthecreedissimple。GeorgeSandbelievedfirmlyintheexistenceofGod。WithoutthenotionofGod,nothingcanbeexplainedandnoproblemsolved。ThisGodisnotmerelythe"firstcause。"ItisapersonalandconsciousGod,whoseessential,ifnotsole,functionistoforgive——everyone。

"Thedogmaofhell,"shewrites,"isamonstrosity,animposture,abarbarism……ItisimpioustodoubtGod’sinfinitepity,andtothinkthatHedoesnotalwayspardon,eventhemostguiltyofmen。"Thisiscertainlythemostcompleteapplicationthathaseverbeenmadeofthelawofpardon。ThisGodisnottheGodofJacob,norofPascal,norevenofVoltaire。HeisnotanunknownGodeither。

HeistheGodofBerangerandofallgoodpeople。GeorgeSandbelievedalso,veryfirmly,intheimmortalityofthesoul。

Onlosinganyofherfamily,thecertaintyofgoingtothemsomedaywashergreatconsolation。

"Iseefutureandeternallifebeforemeasacertainty,"shesaid;

"itislikealight,and,thankstoitsbrilliancy,otherthingscannotbeseen;butthelightisthere,andthatisallIneed。"

Herbeliefwas,then,intheexistenceofGod,thegoodnessofProvidenceandtheimmortalityofthesoul。GeorgeSandwasanadeptinnaturalreligion。

Shedidnotaccepttheideaofanyrevealedreligion,andtherewasoneoftheserevealedreligionsthatsheexecrated。

ThiswastheCatholicreligion。HercorrespondenceonthissubjectduringtheperiodoftheSecondEmpireismostsignificant。

ShewasapersonalenemyoftheChurch,andspokeoftheJesuitsasasubscribertothe_Siecle_mightdoto—day。ShefearedthedaggeroftheJesuitsforNapoleonIII,butatthesametimeshehopedtheremightbeafrustratedattemptatmurder,sothathiseyesmightbeopened。Thegreatdangerofmoderntimes,accordingtoher,wasthedevelopmentoftheclericalspirit。

Shewasnotanadvocateforlibertyofeducationeither。

"Thepriestlyspirithasbeenencouraged,"shewrote。[53]"Franceisoverrunwithconvents,andwretchedfriarshavebeenallowedtotakepossessionofeducation。"SheconsideredthatwherevertheChurchwasmistress,itleftitsmarks,whichwereunmistakable:

stupidityandbrutishness。ShegaveBrittanyasanexample。

[53]_Correspondance:_ToBarbes,May12,1867。

"Thereisnothingleft,"shewrites,"whenthepriestandCatholicvandalismhavepassedby,destroyingthemonumentsoftheoldworldandleavingtheirliceforthefuture。"[54]

[54]_Ibid。:_ToFlaubert,September21,1860。

Itisnouseattemptingtoignorethefact。Thisisanti—clericalisminallitsviolence。Isitnotcuriousthatthispassion,whenonceittakespossessionofeventhemostdistinguishedminds,causesthemtoloseallsentimentofmeasure,ofproprietyandofdignity。

_MademoiselleLaQuintinie_istheresultofafitofanti—clericalmania。GeorgeSandgives,inthisnovel,thecounterpartof_Sibylle_。

EmileLemontier,afree—thinker,isinlovewiththedaughterofGeneralLaQuintinie。Emileistroubledinhismindbecause,ashis_fiancee_isaCatholic,heknowsshewillhavetohaveaconfessor。

Theideaisintolerabletohim,as,likeMonsieurHomais,heconsidersthatahusbandcouldnotenduretheideaofhiswifehavingprivateconversationswithoneofthoseindividuals。MademoiselleLaQuintinie’sconfessorisacertainMoreali,anearrelativeofEugeneSue’sRodin。ThewholenovelturnsonthestrugglebetweenEmileandMoreali,whichendsinthefinaldiscomfitureofMoreali。

MademoiselleLaQuintinieistomarryEmile,whowillteachhertobeafree—thinker。EmileisproudofhisworkofdrawingasoulawayfromChristiancommunion。Heconsidersthatthelightofreasonisalwayssufficientforilluminatingthepathinawoman’slife。

Hethinksthathernaturalrectitudewillprovesufficientformakingagoodwomanofher。Idonotwishtocallthisintoquestion,butevenifsheshouldnoterr,isitnotpossiblethatshemaysuffer?

Thisfree—thinkerimaginesthatitispossibletotearbelieffromaheartwithoutrendingitandcausinganincurablewound。

Oh,whatapoorpsychologist!Heforgetsthatbeliefisthesummingupandthecontinuationofthebeliefofawholeseriesofgenerations。Hedoesnothearthedistantmurmuroftheprayersofby—goneyears。Itisinvaintoendeavourtostiflethoseprayers;

theywillbeheardforeverwithinthecrushedanddesolatesoul。

_MademoiselleLaQuintinie_isaworkofhatred。GeorgeSandwasnotsuccessfulwithit。Shehadnovocationforwritingsuchbooks,andshewasnotaccustomedtowritingthem。Itisanovelfulloftiresomedissertations,anditisextremelydull。

Fromthatdate,though,GeorgeSandexperiencedthejoyofacertainpopularity。Attheatricalperformancesandatfuneralsthestudentsmanifestedinherhonour。ItwasthesameforSainte—Beuve,butthisdoesnotseemtohavemadeeitherofthemanygreater。

Wewillpassoverallthis,andturntosomethingthatwecanadmire。

TherobustandtriumphantoldageofGeorgeSandwasadmirable。

NearlyeveryyearshewenttosomefreshplaceinFrancetofindasettingforherstories。Shehadtoearnherlivingtotheverylast,andwasdoomedtowritenovelsforever。"IshallbeturningmywheelwhenIdie,"sheusedtosay,and,afterall,thisistheproperendingforaliteraryworker。

In1870and1871,shesufferedalltheanguishofthe"TerribleYear。"

Whenoncethenightmarewasover,shesettoworkoncemorelikeatruedaughterofcourageousFrance,unwillingtogivein。

Shewasashardyasironasshegrewold。"Iwalktotheriver,"

shewrotein1872,"andbatheinthecoldwater,warmasIam……Iamofthesamenatureasthegrassinthefield。

SunshineandwaterareallIneed。"

Forawomanofsixty—eighttobeabletobatheeverydayinthecoldwateroftheIndreisagreatdeal。InMay,1876,shewasnotwell,andhadtostayinbed。Shewasillfortendays,anddiedwithoutsufferingmuch。SheisburiedatNohant,accordingtoherwishes,sothatherlastsleepisinherbelovedBerry。

Inconclusion,wewouldsayjustafewwordsaboutGeorgeSand’sgenius,andtheplacethatshetakesinthehistoryoftheFrenchnovel。

OncomparingGeorgeSandwiththenovelistsofhertime,whatstrikesusmostishowdifferentshewasfromthem。SheisneitherlikeBalzac,Stendhal,norMerimee,noranystory—tellerofourthoughtful,cleverandrefinedepoch。Sheremindsusmoreofthe"oldnovelists,"

ofthosewhotoldstoriesofchivalrousdeedsandofoldlegends,or,togostillfurtherback,sheremindsusofthe_aedes_ofoldGreece。

Intheearlydaysofanationtherewerealwaysmenwhowenttothecrowdandcharmedthemwiththestoriestheytoldinawordyway。

Theyscarcelyknewwhethertheyinventedthesestoriesastheytoldthem,orwhethertheyhadheardthemsomewhere。Theycouldnottelleitherwhichwasfictionandwhichreality,forallrealityseemedwonderfultothem。Allthepeopleaboutwhomtheytoldweregreat,allobjectsweregoodandeverythingbeautiful。

Theyminglednursery—taleswithmythsthatwerequitesensible,andthehistoryofnationswithchildren’sstories。Theywerecalledpoets。

GeorgeSanddidnotemployaversifiedformforherstories,butshebelongedtothefamilyofthesepoets。Shewasapoetherselfwhohadlostherwayandcomeintoourcenturyofprose,andshecontinuedhersinging。

Liketheseearlypoets,shewasprimitive。Likethem,sheobeyedagodwithinher。Allhertalentwasinstinctive,andshehadalltheeaseofinstinctivetalent。WhenFlaubertcomplainedtoGeorgeSandofthe"tortures"thatstylecosthim,sheendeavouredtoadmirehim。

"WhenIseethedifficultythatmyoldfriendhasinwritinghisnovel,Iamdiscouragedaboutmyowncase,andIsaytomyselfthatIamwritingpoorsortofliterature。"

Thiswasmerelyhercharity,forsheneverunderstoodthattherecouldbeanyeffortinwriting。Consequentlyshecouldnotunderstandthatitshouldcausesuffering。Forher,writingwasapleasure,asitwasthesatisfactionofaneed。Asherworkswerenoefforttoher,theyleftnotraceinhermemory。Shehadnotintendedtowritethem,and,whenoncewritten,sheforgotthem。

"_ConsueloandLaComtessedeRudolstadt_,whatarethesebooks?"

sheasks。"DidIwritethem?Idonotrememberasinglewordofthem。"

Hernovelswerelikefruit,which,whenripe,fellawayfromher。

GeorgeSandalwaysreturnedtothecelebrationofcertaingreatthemeswhicharetheeternalsubjectsofallpoetry,subjectssuchasloveandnature,andsentimentslikeenthusiasmandpity。

Theverylanguagecompletestheillusion。Thechoiceofwordswasoftenfarfromperfect,asGeorgeSand’svocabularywasoftenuncertain,andherexpressionlackedprecisionandrelief。Butshehadthegiftofimagery,andherimageswerealwaysdelightfullyfresh。

Sheneverlostthatrarefacultywhichshepossessedofbeingsurprisedatthings,sothatshelookedateverythingwithyouthfuleyes。

Thereisacertainmovementwhichcarriesthereaderon,andarhythmthatissoothing。ShedevelopstheFrenchphraseslowlyperhaps,butwithoutanyconfusion。Herlanguageislikethoseriverswhichflowalongfullandlimpid,betweenflowerybanksandoasesofverdure,riversbythesideofwhichthetravellerlovestolingerandtolosehimselfindreams。

ThesharewhichbelongstoGeorgeSandinthehistoryoftheFrenchnovelisthatofhavingimpregnatedthenovelwiththepoetryinherownsoul。Shegavetothenovelabreadthandarangewhichithadneverhithertohad。ShecelebratedthehymnofNature,ofloveandofgoodnessinit。SherevealedtousthecountryandthepeasantsofFrance。Shegavesatisfactiontotheromantictendencywhichisineveryoneofus,toamoreorlessdegree。

Allthisismoreeventhanisneededtoensureherfame。Shedeniedeverhavingwrittenforposterity,andshepredictedthatinfiftyyearsshewouldbeforgotten。Itmaybethattherehasbeenforher,asthereisforeveryillustriousauthorwhodies,atimeoftestandaperiodofneglect。Thetriumphofnaturalism,byinfluencingtasteforatime,mayhavestoppedourreadingGeorgeSand。

Atpresentwearejustastiredofdocumentaryliteratureaswearedisgustedwithbrutalliterature。Wearegraduallycomingbacktoabettercomprehensionofwhatthereisof"truth"inGeorgeSand’sconceptionofthenovel。Thismaybesummedupinafewwords——

tocharm,totouchandtoconsole。Thoseofuswhoknowsomethingoflifemayperhapswonderwhethertoconsolemaynotbethefinalaimofliterature。GeorgeSand’sliteraryidealmaybereadinthefollowingwords,whichshewrotetoFlaubert:

"Youmakethepeoplewhoreadyourbooksstillsadderthantheywerebefore。Iwanttomakethemlessunhappy。"Shetriedtodothis,andsheoftensucceededinherattempt。Whatgreaterpraisecanwegivetoherthanthat?Andhowcanwehelpaddingalittlegratitudeandaffectiontoouradmirationforthewomanwhowasthegoodfairyofthecontemporarynovel?

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